Think YOU had a bad day? I got into the office this morning and the first thing to greet me was this e-mail! Yes, I bought that Hoverboard at auction in 1992 for $3k. Yes, I sold that Hoverboard in 2010 to a guy in Finland for $11k, almost quadrupling my investment. Smart move, right? Wrong! 11 years later, that same Hoverboard sells at auction for US$506,000. This is heavy! Great Scott! Continue reading MY HOVERBOARD HORROR!
Bonnie Franklin was a very good friends of ours at The KTLA Morning News. Every on-stage event we had, there she was joining in! I recently came across one of her earliest acting roles – as Sally in You’re The Judge from 1965. It’s an ephemeral film from that era produced by Crisco. Two girls are trying to “trap” two boys and the only way they figure they can do it is through their stomachs with some chicken and some cheating! It’s a wonderful lesson for the children of tomorrow! Enjoy. Continue reading A SHORT ABOUT SHORTENING
If you’re still in the market for a New Year’s Resolution, I’ve got you covered. Resolve to watch this video below – all 19 minutes of it. Earl Nightingale is someone you’ve never heard of. He is, sort of, the Anthony Robbins of the ’50’s – but oh, so much more profound. His brief message will, truly, change your life. He first released his book, The Strangest Secret, in 1956 followed by an audio recording on a LP album. That sold one million copies – the highest amount of sales ever for a so-called “self-help” genre recording. Don’t focus on the video quality, or the audio reproduction. Listen to his words. And learn. The guy is a genius.
My aunt still thinks I repair TV sets! Seriously! I’m always asked just what it is a producer does. And I’ve been on the lookout for a self-contained, surefire explainer for the role of a TV producer. Fortunately, this rare and long lost British training film, Who Does What?, details in a rather stodgy manner what TV producers do. Continue reading WHAT A PRODUCER DOES
Proper lighting is crucial to a successful TV show, newscast or production. Many companies hire their talent, pay them a fortune, and then skimp on the lighting – not bothering to bring in an expert lighting director. They throw away a costly investment by splashing a bunch of light all over the set and calling it a day. It’s especially obvious when a talent turns from one camera to another and the lighting doesn’t match both shots and shadows are thrown here and there. Although I am not a lighting director, I can certainly separate well-lit talent from poorly lit ones. Continue reading ILLUMINATING LOOK AT LIGHT