The Summer of ’17 was utterly unforgettable. I went on a cross-country journey with four stand-up comedians – a black & white Jewish mom, an Aussie billionaire with a hangup about hookups, a maximum-security prisoner just released after aiding & abetting a robbery and attempted murder, and a psychotic psychologist with a hernia issue and a slew of other pre-existing conditions. I was shooting their adventures for a reality show – Sunda’s Straightjacket Comedy Tour – about how the owner of the LA School Of Comedy take a select group of students on a cross-country comedy tour. Only now am I finally able to show you what went down in New York, Chicago, Los Angeles, Miami, Reno, Vegas and god-knows-where-else. When you’re on tour, your cast & crew become your family. I love these guys.
SUNDA ON THE KTLA MORNING NEWS
SUNDA & STACIE ON KVVU LAS VEGAS
SUNDA ON “THE VIEW”
This week we celebrate the 29th anniversary of the KTLA Morning News in Los Angeles – the Barbara-Carlos-Mark-Sam version was the highest-rated local morning show in TV history! This show provided me with so many life-long friends, a treasure trove of memories and videos, it brought me a mantle full of Emmy Awards and it bought me my first house and half a dozen cars! I’ve come across some scenes from the show I had locked away decades ago in the Raymond J Brune vault. Most of these clips are being seen here for the first time since they originally aired nearly 3 decades ago! Here’s to the Morning News and everyone “who held the show hostage!” Continue reading 29 YEARS LATER
This week we celebrate the 29th anniversary of the (original) KTLA Morning News in Los Angeles – the Barbara-Carlos-Mark-Sam version was the highest-rated local morning program in TV history! This show provided me with so many life-long friends, a treasure trove of memories and videos, it brought me a mantle full of Emmy Awards and it bought me my first house and half a dozen cars! A few years ago, I wrote a book about my phenomenal experiences starting up the KTLA Morning News – …Like No One’s Watching – Transform Your Local Newscast Into A Hit TV Show! On the off-chance that you haven’t read it, I’m posting the first chapter here – all about the little show that became a monster hit – completely by accident! Continue reading THE KTLA MORNING NEWS JULY 8, 1991
Back in the ’90’s, I “passed” on booking Aussie superstar Tina Arena
on my show in L.A. cuz I’d never heard of her. Then fate intervened at the Virgin Record Store
on Sunset (how I miss that place!) Now I’m in deep – a huge fan! All these years later, Tina has forgiven me on Instagram!
Continue reading IN TINA’S ARENA
Here’s a fascinating piece of internet history from 1995. It’s two members of the cast of Friends, Jennifer Aniston and Matthew Perry showing us how to use the Microsoft software Windows 95. I suspect the one thing this hour-long program shows us more than anything else, is the importance of solid comedy writers. The sitcom’s writing was brilliant – but this little feature isn’t. Jennifer and Matthew seem to be partly acting/partly ad-libbing in a pseudo-sitcom that was written by Microsoft’s marketing department, not Friends Emmy award-winning writers. It’s bad. Really bad. Which is why it’s so fun to watch. I bet these two stars walked away with a cool chunk of change from Mr. Gates! Enjoy. Continue reading MICROSOFT WINDOWSHILL
There’s a 5 & 6pm newscast here in Cincinnati that I find myself watching… because it’s so bad. From anchors sporting the latest Wal-Mart fashions and looking as disheveled as a hooker who had a productive night, to a weatherman who, literally, yells at you throughout his forecast, thinking he’s sporting a sexy, booming FM radio voice, but in fact, is just, plain yelling. The anchors start to mirror his absurd volume and the whole show becomes a big yelling fest. But let’s switch gears for a second as there’s one pet peeve I have that gets me yelling back at the TV screen. The anchors are constantly ad-libbing that cliche phrase “switching gears” between stories. It’s a verbal device they use to bridge two unrelated stories to make the transition feel a bit less awkward. As an example, going from a double fatal car crash story to the birth of a new elephant at the zoo is an obvious “switching gears” story. The problem is easily avoided by a producer who understands the art of stacking stories in a newscast. Continue reading “SWITCHING GEARS” HURTS MY EARS
THE “SOY BOMB” CRASH & BURN
Taking risks is the sure-fire path to rewards. I don’t think anyone will disagree with me. But taking risks also means that sometimes, things don’t pay off. Things don’t go as planned. What you saw in your head when planning your next amazing segment is NOT what you ended up seeing on the line monitor. Continue reading UNREWARDED RISKS!
Sometimes you’ve just got to let them talk it out. When the word “thug” became a news story, everyone on set had an opinion. It’s so important to allow them to discuss these issues – which strengthens the connection between your talent and your audience. In this example, we just let them talk right up to the hard break.
Continue reading LET ‘EM TALK IT OUT
Booking guests is a little understood art that I’ve had lots of time to practice. Between KTLA, E! News Live, GMA Sunday and World News Now, I’ve pretty much had every notable name in Hollywood & New York in studio, on-set for interviews. The key to booking an interview guest is all about how your hosts interact with celebrities. Obviously, you want the guest to look good, have a great time and get to push whatever they’re pushing. But what viewers see is your hosts hanging out with a big star. Continue reading PRODUCING GUESTS
AN ILLUMINATING OVERSIGHT
If you’ve ever met her, you know Marie Osmond is pretty in person. Stunning even. And she is just as beautiful on TV. Marie, a TV veteran of her own prime-time variety series and a daytime talk show, knows how crucial lighting is on a TV set. Good lighting can make a talent “glow” on screen. Bad lighting is the kiss of death. Many years ago, Marie was a guest on The KTLA Morning News in Los Angeles. Coincidentally, we shot our show on the very same stage she and her brother had shot all 78-episodes of Donnie & Marie on ABC twenty years earlier. I remember very clearly, when she arrived, before going to makeup, Marie asked me if she could go out on set for a moment during a commercial break. I led the way. Once there, she looked at where she would be sitting for the interview and then examined the lighting grid above her, determining whether or not she had a key light, a fill light, and a rim light (a back light). She was happy when our three-point lighting met her standards.
Continue reading NEWSMAX LAX ON LIGHTS